The Minus Man (1999)
| Release Date | 25 January 1999 |
| Tagline | Don't see it alone. Unless you like talking to yourself. |
| Genre | Drama, Mystery, Thriller |
| Country | USA |
| Filming Locations | Los Angeles, California, USA |
| Language | English |
| Sound Mix | Dolby Digital |
| Color | Color |
| Film Type | Feature |
| Film Class | Psychological Thriller, Road Movie |
| Mood | Spellbinders |
| Themes | Dangerous Attraction, Serial Killers |
| Tones | Disturbing, Menacing, Cerebral |
| Tags | Charm [personality], Co Worker, Drifter, Postal Worker, Romance, Serial Killer |
The Minus Man is a 1999 film based on the novel by Lew McCreary. It was directed by Hampton Fancher, who also wrote the screenplay. The film centers on a psychotic killer whom Fancher describes as "a cross between Psycho's Norman Bates, Melville's Billy Budd and Being There's Chauncey Gardner".
Cast and Crew
Cast
Alex Warren
State Trooper
Chloe Black
Karen - Age 18
Lois Gerace
Lois
Erik Holland
Coach
Danny 'Big Black' Rey
Arthur
Axel Ovregaard
Joe La Moine
John Vargas
Priest
Lew McCreary
Man in Diner
Shannon Kies
Wendy
Madeleine Ignon
Karen - Age 5
María Díaz
Anchorwoman
Matt Gerald
Arresting Officer
Little Jake
The General
Bogus
Beach Dog
Nitro The Cat
Zip Code
Petey
Barking Dog
Shannon Frank
Postal Clerk
Kevin Halloran
Reporter
Flo Lawrence
Lady behind Counter
Director
Writer
Lew McCreary
Producer
Keith Abell
executive producer
Fida Attieh
producer
David L. Bushell
producer
Steve Carlis
executive producer
Joseph J. DiMartino
executive producer
Larry Meistrich
executive producer
Mary Vernieu
associate producer
Original Music
Cinematographer
Bobby Bukowski
Editor
Todd C. Ramsay
Casting Director
Anne McCarthy
-
Mary Vernieu
-
Production Designer
Andrew Laws
-
Art Director
Austin Gorg
-
Set Decorator
Laser Rosenberg
-
Costume Designer
Kimberly Adams-Galligan
-
Makeup Department
Stacey K. Black
key hair stylist
Marjolein Hermans
additional hair stylist
Nina Kraft
additional makeup artist
Cheryl Markowitz
additional makeup artist
Ann Pala
key makeup artist
Tiffany Shelby
additional makeup artist
Shelly Banks
additional makeup artist
Production Manager
Kevin Halloran
unit production manager
Jamey Pryde
post-production supervisor
Second Unit Director or Assistant Director
William Paul Clark
first assistant director
Carolyn Sara Fine
second second assistant director
Pilar Savone
second assistant director
Art Department
Mike Conner
leadman
Michael Coulter
swing
Jonathan Craven
property master
Brendon Crigler
on-set carpenter/scenic
Jeff Damal
on-set dresser
Sasha Dillon
painter: Irene's paintings
Anthony Franco
draper
Nicole Gorg
art assistant
Leon Hoiles
set dresser
David Melito
art department coordinator
Ryan Meyer
swing
Marilyn Morgan
assistant property master
Patrick Parkhurst
construction coordinator
Mari Porcari
assistant set decorator
Robert Smith
swing
Suzi Strachan
swing
Jay Wertzberger
swing
Desi Wilson
swing
Fred Yee
scenic painter
Sound Department
Mike Altieri
sound utility
Thomas Brandau
sound mixer
Kurt M. Bunch
apprentice sound editor
Nancy Cabrera
foley artist
Pete Conlin
adr editor
Patrick Dundas
foley recordist
James Eric
boom operator
Gregg Getherall
assistant sound editor
Ann Hadsell
adr engineer
Brian Langman
foley editor
Terrance Laudermilch
sound re-recordist
Nadine Finzi Maybruck
assistant sound editor
Jacob Ribicoff
dialogue editor
Michael Shore
dialogue editor
Stuart Stanley
supervising sound editor
Tony V. Stevens
consultant: Dolby©
Dominick Tavella
re-recording engineer
Stephen Van Engen
apprentice sound editor
Paul J. Zydel
adr engineer
Visual Effects
Larry Arpin
optical effects
Stunts
Denney Pierce
stunt double: Vann
Camera and Electrical Department
Samantha Bahramian
electrician
Francie Bouchee
second assistant camera: "b" camera
John Buckley
camera loader
David Burroughs
gaffer
John Busch
key grip
Helen Chough
first assistant camera
William Clouter
grip
James Coffin
grip
Gregory Cohen
second assistant camera
Chris Deford
first assistant camera: second unit
Ruben Diaz
electrician
Tana Dubbe
best boy grip
Casey Ellison
electrician
Sam Emerson
still photographer
Graham Futerfas
best boy electric
Kirk R. Gardner
Steadicam operator
John Harmon
grip
Norm Hvam
videographer
Stuart T. Lillas
first assistant camera: "b" camera
Chris Robertson
gaffer: second unit
Eric Schmidt
director of photography: second unit
Manuel G. Tapia
electrician
Benj Thall
electrician
R. Derek Keener
gaffer
Marc Lulkin
second assistant camera: "b" camera
David Presley
video playback operator
John Shinn
electric intern
Robert Stenger
second assistant camera
Casting Department
Carrie Campbell
casting assistant
Freddy Luis
casting assistant
Jeff Olan
extras casting
Alan Joseph Ortanez
casting assistant
Tony Rasmussen
extras casting
Costume and Wardrobe Department
Rebecca Bentjen
wardrobe assistant
Agata Maszkiewicz
costumer
Leigh Okles
wardrobe assistant
Carrie Proffer
set costumer
Editorial Department
Vivian Hengsteler
negative cutter
Christopher Kenneally
post-production assistant
Jeffrey Martin
apprentice picture editor
Nadine Finzi Maybruck
apprentice picture editor
Dan Muscarella
color timer
Aaron E. Stanford
assistant picture editor
Susan K. Weiler
second assistant editor
Elwaldo Baptiste
post-production assistant
Music Department
Matthew Abbott
assistant music supervisor
William Boston
orchestrator
Phil Carson
executive in charge of music
Barry Cole
music supervisor
Christopher Covert
music supervisor
James Flatto
music editor
M.B. Gordy
musician: percussion
Dennis James
musician: glass music
John Kurlander
music engineer
Kevin Manthei
music preparation services
Buck Sanders
orchestrator, musician: dobro and guitars
Transportation Department
William Berumen
driver
Al Burton
transportation captain
Roger A. Byrd Jr.
driver
Michael Dawes
driver
Darrell Dubovsky
driver
Dan Duffy
driver
David Gerry
driver
George Graham
driver
Jeffrey F. Jones
driver
Ken Kaplan
transportation coordinator
Robert McIntosh
driver
Karl E. Nelson
driver
David Roumbus
driver: picture car
Bruce Rozenberg
driver
Carlos M. Serrano
driver
Other Crew
Arturo Aguilar
park ranger
Amy Agzarian
assistant production auditor
Andrew William Agzarian
production auditor
Serena Baker
assistant location manager
James D. Barrett
production assistant
Roger A. Berry
police officer: LAPD
Michael J. Bertolina
production assistant
Amanda Burton
assistant to producers
Jacqueline Butryn
location scout
Rafael Cabrera
loop group
Alida Camp
production counsel
Dave Coenen
production assistant
Jamie Cohen
product placement
Lisa Diamond
post-production accountant
Terrell Doolen
location scout
Linda Duclos
assistant chef
Robby 'Keyman Jr.' Ellison
craft service
Marjorie Ergas
assistant production coordinator
Jane Evelyn
office production assistant
Al Garcia
park ranger
Gary Gero
animal trainer
Mac Gordon
location manager
Christopher Hall
title designer
Susan Hartmann
assistant to producers
Scott E. Hart
animal trainer
Ilt Jones
location scout
David H. Kramer
loop group
Patrick Lee
credit facility arranged by
Sue Malfitano
loop group
Mara Morner-Ritt
counsel: Natexis Banque
David Mortimer
unit publicist
Robert Ortiz
production coordinator
Scott Peterson
script supervisor
Jose Pineda
park ranger
Bennett Pozil
credit facility arranged by
Lorraine Putnam
animal trainer
Morgan H. Rector
credit facility arranged by
Phil Rodowsky
continuity and spotting
Todd Rodowsky
continuity and spotting
Dan Schlaack
office production assistant
Amy Smolev
assistant production auditor
Richard M. Steker
police officer: LAPD
Rose Stockton
loop group
Charles Swanepoel
chef
Jacqueline Swanepoel
assistant chef
Dennis E. Tindall
police officer: LAPD
Wes Ward
location scout
Bill Greenfield
office production assistant
Mike Le
assistant: Owen Wilson
Thanks
Jed Alpert
the production would like to thank
Kevin Asch
acknowledgment: Team Shooting Gallery
Joe Ball
the production would like to thank
Sarah Black
the production would like to thank
Beret Borsos
the production would like to thank
Eamonn Bowles
acknowledgment: Team Shooting Gallery
Kathy Carlis
the production would like to thank
Jamie Chvotkin
acknowledgment: Team Shooting Gallery
Howard Cohen
the production would like to thank
Crazy Legs Conti
acknowledgment: Team Shooting Gallery
Rosemarie Costanza
acknowledgment: Team Shooting Gallery
Lynn Crowell
acknowledgment: Team Shooting Gallery
Andrew Dainoff
acknowledgment: Team Shooting Gallery
Damon D'Amore
acknowledgment: Team Shooting Gallery
Peter T. DaPuzzo
acknowledgment: Team Shooting Gallery
Mary Ellen De Angelis
acknowledgment: Team Shooting Gallery
Myriam Diaz
acknowledgment: Team Shooting Gallery
Michael Donnelly
the production would like to thank
Kristan Flynn
acknowledgment: Team Shooting Gallery
C.J. Follini
acknowledgment: Team Shooting Gallery
Elizabeth Gardner
acknowledgment: Team Shooting Gallery
Brian Gilpin
acknowledgment: Team Shooting Gallery
Andy Given
acknowledgment: Team Shooting Gallery
Natasha Graf
acknowledgment: Team Shooting Gallery
Michael Greene
the production would like to thank
Thomas Harney
acknowledgment: Team Shooting Gallery
Bob Harvey
the production would like to thank
Liz Victor Holub
acknowledgment: Team Shooting Gallery
Alexander Ignon
the production would like to thank
Edward A. Ioffreda
acknowledgment: Team Shooting Gallery
David Kanter
the production would like to thank
Elizabeth Kaplan
the production would like to thank
Noah Kaplan
the production would like to thank
Norman Karlin
the production would like to thank
Lori Killam
the production would like to thank
Carol Knorr
acknowledgment: Team Shooting Gallery
Robert Kravis
acknowledgment: Team Shooting Gallery
Rob Kristel
acknowledgment: Team Shooting Gallery
Flo Lawrence
the production would like to thank
Eric Lederer
acknowledgment: Team Shooting Gallery
Paul Leonardo Jr.
acknowledgment: Team Shooting Gallery
Owen Levin
acknowledgment: Team Shooting Gallery
Mark Lewis
the production would like to thank
Arnold Leyva
acknowledgment: Team Shooting Gallery
Ilana Lipson
acknowledgment: Team Shooting Gallery
Rick Marchitto
acknowledgment: Team Shooting Gallery
Joanne Mariner
special thanks
Nicole Marino
acknowledgment: Team Shooting Gallery
Jonathan S. Marshall
acknowledgment: Team Shooting Gallery
Primavera Marte
acknowledgment: Team Shooting Gallery
Victor Maymudes
the production would like to thank
Lynn Mccloskey
acknowledgment: Team Shooting Gallery
Payson Meistrich
the production would like to thank
Quinn Meistrich
the production would like to thank
Shireen Meistrich
the production would like to thank
Jim Miller
acknowledgment: Team Shooting Gallery
Karl-Heinz Muller
the production would like to thank
Howard Neustadt
acknowledgment: Team Shooting Gallery
Doug Nicholson
acknowledgment: Team Shooting Gallery
Bill Nisselson
the production would like to thank
David Novack
acknowledgment: Team Shooting Gallery
Tommy O'Donnell
the production would like to thank
Jim Powers
acknowledgment: Team Shooting Gallery
Jack Pursell
the production would like to thank
Monique Quigley
the production would like to thank
Aylee Rhodes
the production would like to thank
Gaia Rhodes
the production would like to thank
Noel Rhodes
the production would like to thank
Hector Robles
the production would like to thank
Brandon Rosser
acknowledgment: Team Shooting Gallery
Mike Rummel
acknowledgment: Team Shooting Gallery
Christopher I. Russell
acknowledgment: Team Shooting Gallery
Jenny Rebecca Sarpolis
the production would like to thank
Racquel Skolnik
special thanks
E. James Smith
the production would like to thank
Holly Sorensen
acknowledgment: Team Shooting Gallery
Paul Speaker
acknowledgment: Team Shooting Gallery
Mitchel Stanley
the production would like to thank
Todd Steiner
acknowledgment: Team Shooting Gallery
Mary Sunshine
acknowledgment: Team Shooting Gallery
Kim Surowicz
acknowledgment: Team Shooting Gallery
Thoma Thurau
acknowledgment: Team Shooting Gallery
Dennis E. Tindall
the production would like to thank
D. Garen Tolkin
the production would like to thank
Stephen Tolkin
the production would like to thank
Chris Tull
acknowledgment: Team Shooting Gallery
Jennifer Vassos
the production would like to thank
Mark Vicente
the production would like to thank
Barbara Wallace
acknowledgment: Team Shooting Gallery
Tom Weissler
acknowledgment: Team Shooting Gallery
Ronnie Yeskel
the production would like to thank
Production Company
Shooting Gallery
Fida Attieh Productions
Distributor
Artisan Entertainment
Artisan Home Entertainment
,
Kinowelt Home Entertainment
Pony Canyon
-
Miscellaneous
AIM Promotions Inc.
promotional consideration
Adidas Entertainment Promotions
promotional consideration
American Humane Association, The
animal action monitoring
Austin Nicols & Co.
promotional consideration
Axium Payroll Services
production payroll
Birds & Animals Unlimited
animal trainers
Bostonian
promotional consideration
Bumble Ward & Associates
publicity
CFI Imaging Group
titles and opticals
Casala Ltd.
medic
ChapmanLeonard Studio Equipment
camera dollies, camera cranes
Charles' Location Catering
catering
Cinelease
lighting and grip equipment
City of Los Angeles Film Permit Office
the production would like to thank
Clark Bar Candy
promotional consideration
Costume Collection
the production would like to thank
Davie Brown Entertainment (I)
promotional consideration
Dinah's Diner
the production would like to thank
Dr. Pepper-Seven Up
promotional consideration
East Coast Post
foley recording, post-production services
Entertainment Industry Development Corporation (EIDC)
the production would like to thank
Fossil
promotional consideration
Frye Company, The
promotional consideration
Fujifilm
filmed on
Gipson, Hoffman & Pancione
counsel to Natexis Banque
Great Northern Brokerage Services
production insurance
Gun for Hire Productions
post production at
Gun for Hire Resources
product placement
Heinz USA
promotional consideration
Hollywood Camera Cars
promotional consideration
Hollywood Security
the production would like to thank
Imperial Bank
credit facility
Jackson Shrubs
the production would like to thank
JanSport
promotional consideration
Keppler Entertainment
promotional consideration
Kiehl's Since 1851
promotional consideration
Levi Strauss & Co.
promotional consideration
Los Angeles County Film Office
the production would like to thank
Manassero Farms
the production would like to thank
Natexis Banque
credit facility
On-Core Productions
continuity and spotting
Outdoor Products
promotional consideration
Panavision
camera & lenses
Rainbow Casting Service
extras casting
Republic Bank California N.A.
production bank
Scenario Design
sets constructed by
Schlotzsky's Deli
promotional consideration
Sierra Polona Motel
the production would like to thank
Sound Chamber Recording Studio
music recording facility
Todd-AO Studios
adr recording
Varèse Sarabande
soundtrack available on
Viv Kim Negative Cutting Service
negative cutting
Walt Disney Studios Costume Department, The
the production would like to thank
Warner-Lambert Company
promotional consideration
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