In Bruges (2008)
| Release Date | 17 January 2008 |
| Budget | $15,000,000 |
| US Box Office | $8,000,000 |
| Other Names | Çàëå÷ü íà Äíî â ÁðþããåV BrugáchBrügge sehen... und sterben? |
| Tagline | Shoot first. Sightsee later. |
| Genre | Comedy, Crime, Drama, Thriller |
| Country | UKUSA |
| Filming Locations | Brugge, West-Vlaanderen, Belgium |
| Language | English, German |
| Sound Mix | Dolby Digital, DTS |
| Color | Color |
| Film Type | Feature |
| Film Class | Crime Drama, Black Comedy, Buddy Film |
| Niche Genre | Comedy Drama |
| Themes | Existential Crisis, Fish Out of Water, Hired Killers |
| Tones | Literate, Downbeat, Melancholy, Haunting, Humorous, Quirky |
| Tags | Belgium, Christmas, Dwarf, Film Crew, Prostitute/prostitution, Tourist |
In Bruges is a 2008 black comedy crime film written and directed by Martin McDonagh. The film stars Colin Farrell and Brendan Gleeson as two hitmen in hiding, with Ralph Fiennes as their gangster boss. The film takes place—and was filmed—within the Belgian city of Bruges. In Bruges was the opening night film of the 2008 Sundance Film Festival. The film opened in limited release in the United States on 8 February 2008; premiered at the Jameson Dublin International Film Festival on 15 February 2008; later went on full release in Ireland on 7 March 2008; and opened 18 April 2008 in the United Kingdom.
Cast and Crew
Cast
Jordan Prentice
Jimmy
Rudy Blomme
Ticket Seller
Olivier Bonjour
Film Director
Mark Donovan
Overweight Man
Ann Elsley
Overweight Woman #2
Jean-Marc Favorin
Policeman
Eric Godon
Yuri
Sachi Kimura
Imamoto
Anna Madeley
Denise
Louis Nummy
Harry's Child #3
Theo Stevenson
Boy in Church
Inez Stinton
Kelli
Emily Thorling
Overweight Woman
Angel Witney
Harry's Child #2
Bonnie Witney
Harry's Child #1
Ran Yaniv
Barman
Stephanie Carey
Canadian Girl
Jamie Edgell
Boat Driver
Susan Ateh
Ken's Wife
Michael Bennett
Belgian Policeman
Director
Martin McDonagh
-
Writer
Martin McDonagh
Producer
Jeff Abberley
executive producer
Julia Blackman
executive producer
Graham Broadbent
producer
Peter Czernin
producer
Sarah Harvey
co-producer
Tessa Ross
executive producer
Ronaldo Vasconcellos
line producer
Original Music
Cinematographer
Eigil Bryld
-
Editor
Jon Gregory
-
Casting Director
Jina Jay
-
Production Designer
Michael Carlin
-
Art Director
Chris Lowe
-
Set Decorator
Anna Lynch-Robinson
-
Costume Designer
Jany Temime
-
Makeup Department
Francesco Alberico
hair stylist
Pamela Goldammer
prosthetics workshop technician
Charlotte Hayward
makeup trainee, hair trainee
Sallie Jaye
hair designer, makeup designer
Sharon Martin
makeup artist
David White
prosthetic makeup designer
Production Manager
James Biddle
unit production manager
Steve Harvey
unit manager: UK
Alistair Hopkins
post-production supervisor
Grietje Lammertyn
unit production manager
Second Unit Director or Assistant Director
Matthew Penry-Davey
first assistant director
Charlie Reed
third assistant director
Lance Roehrig
second assistant director
Art Department
Joshua Barraud
stand-by art director
Jacco Bout
dressing props
Tim Browning
assistant art director
Guy Cope
stand-by rigger
Muffin Green
property master
Kathy Heaser
graphic artist
Colin Jackman
sculptor
Adam McCreight
dressing props
Robbe Nuyttens
props
Rod Whiting
props storeman
Sound Department
Robert Brazier
foley editor, foley mixer
Oliver Brierley
assistant re-recording mixer
Peter Burgis
foley artist
Alistair Crocker
production sound mixer
Robert Edwards
adr recordist
Alex Fielding
sound mix technician
Arthur Graley
foley editor
James Harbour
sound maintenance
Sue Harding
foley artist
James Harrison
sound effects editor
Nigel Heath
sound re-recording mixer
Johan Maertens
epk sound recordist
Dan Morgan
adr editor, dialogue editor
Beauxregard Neylon
adr mixer
Jamie Roden
adr mixer
Rob Saunders
assistant sound
Julian Slater
supervising sound editor
Chris Sturmer
sound consultant: dolby
Jessica Ward
assistant sound editor
Rowena Wilkinson
foley artist
Special Effects
Barry Best
mould maker
James Davis III
snow effects technician , special effects senior technician
Hugh Goodbody
special effects senior technician
Mark Holt
special effects supervisor
David Johns
snow effects technician
Russell Pritchett
special effects technician
Del Reid
snow effects technician
Graham Riddell
senior special effects technician
Stephen Shelley
snow effects senior technician
Jamie Weguelin
special effects technician
Visual Effects
Louie Alexander
digital compositor: Framestore-CFC
Szvák Antal
visual effects coordinator: Cube Effects
Jaume Arteman
digital compositor: double negative
Oliver Atherton
sequence lead compositor: Double Negative
Michael Atkin
matchmove artist
Nicola Atkinson
matchmove artist
Szapek Attila
compositor: Cube Effects
Zoltán Benyó
visual effects producer: Cube Effects
Zachary Bloom
scanning and recording: Framestore CFC
Richard Briscoe
visual effects supervisor
Paul Burke
scanning and recording: Framestore
Andy Burrow
scanning & recording manager
Dave Calub
retouch and restoration: Framestore
Francesca Canducci
retouch and restoration: Framestore-CFC
Richard Edwards
data operator: Framestore
Kenneth Fanning
matchmover: Double Negative
Péter Farkas
digital compositor: Cube Effects
Adam Glasman
digital intermediate colourist
Mai Gray
retouch and restoration: Framestore-CFC
Gavin Gregory
visual effects coordinator: Double Negative
Jerry Hall
digital compositor
Alistair Hamer
film mastering engineer
Pete Hanson
studio manager: double negative
Adam Hawkes
title compositor
Karsten Hecker
scanning & film recording assistant manager: Framestore CFC
Aeon Henderson
digital compositor
John Inch
retouch and restoration
Yan Jennings
film mastering engineer
Jody Johnson
digital supervisor
Rafal Kaniewski
compositor
Pál Klemm
supervising digital compositor: Cube Effects
Katalin Kriskó
roto/prep artist: Cube Effects
Kevin Lowery
film mastering engineer
Veronica Marcano
scanning and recording operator: Framestore
Stuart Nippard
conform editor
Rupert Porter
visual effects producer: Double Negative
James Reed
scanning and recording
Jimmy Saul
scanning and recording
Nick Stanley
retouch and restoration: Framestore
Maria Stroka
senior digital intermediate producer
Zoltán Szegedi
digital artist: Cube Effects
Gábor Székely
technical director: Cube Effects
Tamás Fiedler
digital artist: Cube Effects
Odean Thompson
digital paint artist: restoration: Framestore
Simon Trafford
sequence lead compositor: Double Negative
Derek Walsh
assistant visual effects editor: Double Negative
Péter Zavorszky
visual effects production manager: Cube Effects
Patrick Zentis
digital matte painter
Taz Lodder
technical support: Double Negative
Stunts
Stephanie Carey
stunt performer
Jamie Edgell
stunt performer
James Embree
stunt double: Colin Farrell
Paul Herbert
stunt coordinator
Rowley Irlam
stunts
Mark Mottram
stunt performer
Camera and Electrical Department
Jaap Buitendijk
still photographer
Wailoon Chung
electrician
Ian Clark
focus puller
Julien Covens
grip
Nic Cupac
key grip
Mark Hanlon
best boy
Rawdon Hayne
first assistant camera
Jody Knight
grip trainee
Andy Long
gaffer
Iain Mackay
second assistant camera: "b" camera
Peter Robertson
camera operator, Steadicam operator
Simon Surtees
second assistant camera
Roel Tanghe
electrician
Wim Temmerman
electrician
Gideon Van Essen
lighting technician
Christophe Vanhoutte
electrician
Kristof Van Torre
electrician
Casting Department
Dixie Chassay
casting assistant
Costume and Wardrobe Department
Richard Davies
assistant costume designer
Laurent Guinci
costume supervisor
Neil Murphy
key costumer
Editorial Department
Chris Andrews
negative cutter
Greg Barrett
producer: high definition dailies
Jo Dixon
first assistant editor
Matt Gauci
avid technical support
Alec Gibson
colour grader
Adam Glasman
digital intermediate colorist
Adam Gough
second assistant editor
Jan Hogevold
digital intermediate executive producer
Sabine McDonald
negative cutter
Ian Seymour
associate editor
Kelly Smith
negative cutter
Maria Stroka
digital intermediate producer
Stephen Bearman
colorist: dailies
Music Department
James Bellamy
music editor
Christine Bergren
music legal and clearances
Karen Elliott
music supervisor
Michael Farrow
scoring mixer
Isobel Griffiths
orchestra contractor
Jill Streeter
copyist
Transportation Department
Jeff Hudson
driver: Brendan Gleeson
Cain Lee
driver: camera car, UK
Barrie Williams
transportation captain
Other Crew
Roland Ballard
assistant production coordinator: UK, assistant production coordinator
Mark Beaumont
production accountant
Charles Bodycomb
armorer
Matt Curtis
title designer
Cuong Dang
assistant production coordinator: London
Paul Dray
laboratory contact
Nicky Earnshaw
production coordinator
Matt Gauci
avid technical support
Alec Gibson
laboratory grader
Katleen Goossens
location accountant
Ruth Halliday
clearances
Sam Haveland
set runner
Barbara Jansen
base runner
David Johnston
data operator
Rachel Kennedy
unit publicist
Tamara King
production assistant: London
Seb Loden
production executive
Todd Lundquist
assistant: director
Frankie Malhotra
production coordinator
Dieter Moeyaert
stand-in
Emma Olrich-Smith
assets administrator
Judy Richter
consultant
Sascha Robey
armorer
Jana Tallieu
set runner
Liesbet Vaes
assistant production coordinator
Davina Van Belle
assistant location accountant
Helen Varty
assistant: Tessa Ross
Dan Whitty
location manager: London
Dave Evans
armourer
Production Company
Blueprint Pictures
-
Film4
Focus Features
-
Scion Films
-
Distributor
Focus Features
Ascot Elite Entertainment Group
BFD
Distribution Company
Gativideo
Hollywood Classic Entertainment
Odeon
Paradise Group
Paris Filmes
Scanbox Entertainment
Shaw Organisation
TOBIS Film
Universal Home Entertainment
Universal Pictures Benelux
Universal Pictures International (UPI)
Universal Pictures International (UPI)
Universal Studios Home Entertainment
Universum Film (UFA)
Special Effects
Altered States FX
Double Negative
Snow Business International
Miscellaneous
ARRI Lighting Rental
lighting
ARRI Media
camera and grip equipment provided by
Birds & Animals UK
animal handlers
Clearing House, The
clearances
Compuhire
24 frame playback
Film4
development, funding
Framestore CFC
digital intermediate
Gearbox Sound and Vision
additional ProTools systems supplied by
Goldcrest Post Production London
adr recorded at
Hackenbacker Audio Post Production
re-recorded at, adr recorded at
Hothouse Music
music supervision
Isobel Griffiths Limited
music contractor
Kodak
motion picture film supplied by
Lakeshore Records
soundtrack
Midnight Transfer
telecine high-definition facilities, high-definition preview conform
Movie Lot, The
security: UK
Pivotal Post
Avid editing equipment provided by
Sapex Scripts
post-production services
Soundtrack
adr facility
Translux
facilities and trucks
UK Computamatch
negative cutting
Related Lists
